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What The Ugly Stepsister Taught Me About the Inner Critic and Self-Worth

Updated: Feb 12

What do a nose job, a tapeworm, and a severed foot have in common?

More than you think.


We All Know the Story – But This Was Not That

If you're a millennial, you probably grew up watching Disney movies. If you ask my husband, he'll sing you every song. Watching these movies was a pivotal part of our childhood.

This story shaped the way many of us thought about life and love.


But there are major discrepancies between the movie version of Cinderella, produced by Disney in 1950, and the dark, twisted literary folk tale written by The Brothers Grimm in 1812. Namely, the atrocious ending involving a severed foot.

The 2025 film The Ugly Stepsister is a new adaptation of the classic fairytale told from the viewpoint of the stepsister.


An Ugly Stepsister Desperate to Be Beautiful

Without going into too much gruesome detail, this movie involved a barbaric nose job, tapeworm consumption, sewn-on eyelash extensions, hair loss due to lack of nutrients, and finally, self-mutilation. This is an extreme yet not unbelievable example of what can happen when women are subject to opinions from others who don't have their best interests at heart.


While most women wouldn't go to these exaggerated lengths to achieve beauty, in today's world of cosmetic and plastic surgery, it's not unbelievable. We are told by society that we should look and act a certain way. If we don't conform to these standards, we are ugly, unruly, and a problem.


Once a Beautiful Swan Turned into an Ugly Duckling

The saddest part of this movie wasn't watching the drastic lengths this young woman was driven to, but how her goal for beauty and acceptance ultimately led to the ugliest version of herself, on the outside and the inside.


At the ball, the stepsister was the skinniest, most beautiful (thanks to a wig covering her balding head), and most coveted woman there. By the end, her madness revealed itself on the outside through her actions. Because of her mutilated feet, she couldn't walk. Because she couldn't walk, she fell down the stairs, breaking her nose and losing teeth during her tumble. Her hair loss was on full display without her wig.


As I watched this ending, I thought: if only she hadn't gone through with any of these procedures, she would have grown into her features. She could have spent time developing her personality, but when she placed so much emphasis on her outer beauty, she lost herself completely.


Is this story not one that we have seen play out time and time again? Women who are so insecure that they receive surgery after surgery. Years later, they no longer look like themselves. Their original beauty, which we all admired, has completely vanished.


Moral of the Movie - Inner Critic Comes to Life

The inner critic can be so loud, but you have to ask yourself: who is the person really speaking? Is it your voice, or is it the outside opinions of others that you have internalized so much that they are now a part of how you see yourself?


Self-Reflection Led to More Self-Love

I realized after some self-reflection that I placed so much emphasis on my outer beauty because I didn't feel worthy enough on the inside. I felt I had to prove myself because of what I had been told from peers, coaches, teachers and co-workers.


When you don't feel adequate in certain ways but too much in others, you'll do anything to desperately try to blend in. To be invisible. To be good enough without being too much. To fit in. It's survival instinct. Those who are exposed are dangerous.


I encourage you to ask yourself why you are focused so much on your beauty and your body. Is it because you love yourself and like the way you look, or is it because you're insecure?


You can learn to love yourself. You can learn to love the way you look. It starts with changing your surroundings — what you see, what you hear, and who you spend time with.

Your brain believes what you tell it. You don't have to use surgery and needles to be accepted. You are enough as you are.

 
 
 

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